I’m still playing with the new Fufifilm X-T2, so today I took it on a walk around Kiltonga Nature Reserve in Newtownards, to test out the film simulation feature. One of the interesting features of this camera is the ability to set it to emulate various Fufi Films, like Fuji’s popular Velvia colour film for example.
The camera has a black and white option to record images on virtual ‘Acros’ monochrome film, which should give outstanding contrast, and a rich tonal range. Furthermore, Acros simulation will produce grain in the image exactly the same size as the film version, by ISO. The claim made by Fuji is that Arcos film simlation is even better than shooting in RAW and later converting to monochrome in Photoshop. Fufi even claim that Acros will outperform any other high end digital camera shooting in B&W mode. So, today I set the X-T2 to shoot in Acros Monochrome on card two, and in RAW on card one. (Shooting in RAW, of course means that should I want a colour image, I can use the RAW unprocessed files to produce it.)
The photo of the four swans, lining up to see the camera is my favourite image of the walk, but I’m intriqued by the locks on the wire. Who is putting them there, whose are the names, and why are they there?