The Fujifilm X-T4 – A Lot of Praise but One Big Niggle.
I’ve been shooting with Fujifilm X-Series cameras since 2017 when I bought my first Fujifilm X-T2. I was immediately smitten. I’d been a Nikon user all my photographic life, completely loyal to the products of the Japanese giant. I’d begun in the ‘80’s with the FM2, and progressed through the Nikon D2x to the D750. I thought it would ever be so. But when I made my first few images with the Fuji X-T2 I was quickly convinced. It was the photographic equivalent of a Damascus road conversion. Since then I’ve been shooting (professionally and for fun) with the X-T2, X-T30 and X-T3. Everyone of them has been great. But when the X-T2 began to wobble a bit, I decided it was time for a change. I kept the X-T3, sold the X-T2 and X-T30 and with the equity, invested in the new X-T4.
So, what’s special about the X-T4? It’s just a little chunkier than its predecessors, and I’ve encased mine in a leather half-case, more for appearance than practicality, but it’s still an easy camera to hold, much more ‘grippable’ than the X-T2, and that’s important when you are clamouring in and out of vehicles.
Like a black cat cowering in a coal bunker, photographing a white car on a white background presents certain difficulties. But then that’s why, when prestige car dealers need photography for their website, they use specialists like me!
This beautiful new BMW 116d sports the new design of the latest One Series, and cuts a dashing figure against its white background…
The key of course, is to slightly underexpose the white car, and overexpose the background by at least two stops. So, ideally the camera should be on a tripod, and the shot bracketed, and later combined in Photoshop. Best practice too is to use a light meter to get the correct exposure on the car.
Look at the side of the car. It was photographed in bright November sunlight, so the side of the car, fully exposed to the sunlight, should be overexposed in comparison to the rest of the vehicle. On this image, a circular polariser filter was used n the lens of the camera, eliminating the effect of the UV rays on the highly polished surface of the car.
My filter is made by HOYA. Here’s an extract from their website:
In the Pod today, playing with a small green screen set-up, to see how the light works best. I’ve set a small Coalport Lady Figurine on a table, with a green-screen background. There’s a D-Lite just behind my right shoulder and natural light coming from the left of the figure. The D-Lite is set low, not to be a key-light, but to simply reduce any shadow cast by the Coalport figure.
I’m using the Fujifilm X-T2, with a Nikon 50mm manual focus lens and the camera set for focus peaking. F=50mm, f/5.6 @ 1/60th sec on ISO200.
Last night I read an interesting post by Dee Tutor on LinkedIn about Ghosting Techniques, and I thought one or two of you readers might like to make it an interesting project for next week! All you need to do is nip over and read Daria’s blog, find an old and particularly interesting looking graveyard, (now that we’re allowed to visit graveyards again) and have a go!
Here’s an experiment with an old manual focus 70-300mm zoom Nikon lens on the Fujifilm X-T30 mirrorless camera.
I was given this lens as a gift in 1995, (I think) and although it’s slow (max f/4) it’s quite a good lens. The light was failing when this image was made, around 5.30pm, so the ISO was 6400, making the image grainy. I extended the lens to 300mm and shot a photo of this bush at f/4 – 1/250th sec.
I needed to keep the ISO high and shutter speed short to eliminate lens shake. Overall though, I see possibilities for this combination.
Using a 35 year old Nikon Lens on a 1 year old Fujifilm Mirrorless Camera!
It’s rare to have open roads in Belfast on a Saturday, but today the roads were reasonably free of traffic – with people ‘self-isolating’ and ‘social distancing.’ But there was one traffic jam, and that was caused by the closure of an important route into and out of the city, the Sydenham By-Pass. This closure caused a stand-still traffic jam on the lower section of the Newtownards Road (Ballymacarret) – Just one single snarl up in the whole city and I was stuck in it.
As it happened I had a camera right beside me on the passenger seat of the car, so while the car was stationery, with the handbrake on and the engine stopped, I made a small number of exposures. Random images, of no relevance or importance.
Sometimes its good to do something that’s out of your comfort zone, – like STILL LIFE PHOTOGRAPHY. It’s not something I do very often, but today I chanced upon an autumn leaf, curled up and lying in a dusty corner of an outhouse, and I picked it up and brought it home, with the intention of making an image of one single brown leaf.
Following all the political controversy about the ‘Renewable Heat Incentive’ and the sudden proliferation of wood burners in deserted outhouses and barns, one bold company in the manufacturing industry has decided to recycle all its own waste wood shavings, by installing a furnace to provide the heat for their factory. In the interests of investigative photo-journalism, I took a look into it, and here’s what I found…