If you run a business, then you know the importance of web advertising. Your website can be a powerful sales tool – but the images need to reflect your brand identity. Make sure that you don’t undersell your product or project a substandard image by using photographs that are less than professional.
There can be a temptation to ‘save money’ by leaving your product photography to one of your staff members with a phone. I bring many years of experience to your website photography.
Want to learn how to do vehicle photography for yourself? If you’re a dealer with a decent camera, and an ambition to upgrade your car imagery, I can help. I can teach you the basics, to get the best from your camera and your stock, and write you a personalised brief for future reference.
Use the contact page to get in touch and I’ll tell you more.
Progressing and Sustaining Your Photography Practice – a Strategy for Personal Progress
I’m starting to panic! In another six months or so, I’ll be an OAP! A ’Senior Citizen!’ Now, I’m not in any way thinking that on my 65th birthday I’ll be locking the studio door and throwing away the key! That’s not going to happen – not in this day and age, – but I’m curious as to how I’m going to practice photography with the same drive and enthusiasm when it’s no longer my source of income! A recent read through a photography degree course curriculum confirmed my own thoughts. One of the modules was ‘Developing a Strategy for Personal Progress’ So what’s MY strategy – for when retirement finally kicks in?
Continue reading Progressing and Sustaining Your Photography Practice – a Strategy for Personal Progress
Keeping it in Perspective.
This church at Hillsborough is popular with photographers. And why not? Look at the image!
There’s a pretty scene in there, with lots of the elements of design. There’s colour and shape, there’s lines drawing the eyes into the church, the central focus of the image. But there’s one problem. In many photographs of the church the trees are seemingly angled inwards, a distortion of perspective. It’s a natural lens effect, because the lens is low (usually at eye level) and the trees are high… Continue reading Keeping It In Perspective
The LensBaby Composer Pro 2 with Sweet 50 Optic.
I’ve recently aquired a LENSBABY! It’s the LensBaby Composer Pro 2 lens with Sweet 50 optic. Basically a LensBaby is just a lens with a ball-joint, so that the lens can be bent! Attached to the front of the lens is a removable optic, in my case a 50mm attachment, with a sweet-spot. That’s an area that is in focus, while the rest of the image is blurred. (Bokeh) Ok, it’s easier to show you than explain in words…
Continue reading Playing with Light
Shutter Speed Facts
If the aperture controls the amount of light that falls on the camera sensor/film, the shutter determines how long that light falls on the film/sensor. Choosing the correct shutter speed is important because:-
* It can freeze a moving subject.
* It can blur moving subjects.
* It can help reduce camera shake.
So, how can we use the shutter speed to best advantage?
Continue reading Back to Basics #2 – Shutter Speed
BACK TO BASICS #1 – APERTURE
The aperture is the diaphram in your lens which controls the amount of light entering the camera. (The shutter controls the time that the light falls on the film/sensor) The diagramme attached to this post illustrates the effect of closing the aperture diaphram, and how it changes the light falling on the film/sensor. Continue reading Back to Basics #1 – Camera Aperture
I love to talk about photography – about technique, film and darkroom,, digital, medium format, genres, history, – there’s great crack to be had!
If you want to talk ‘tog – drop by to Bob’s Photography Forum on Facebook and join in!
CLICK HERE TO JOIN IN
I’m still playing with the new Fufifilm X-T2, so today I took it on a walk around Kiltonga Nature Reserve in Newtownards, to test out the film simulation feature. One of the interesting features of this camera is the ability to set it to emulate various Fufi Films, like Fuji’s popular Velvia colour film for example.
The camera has a black and white option to record images on virtual ‘Acros’ monochrome film, which should give outstanding contrast, and a rich tonal range. Furthermore, Acros simulation will produce grain in the image exactly the same size as the film version, by ISO. The claim made by Fuji is that Arcos film simlation is even better than shooting in RAW and later converting to monochrome in Photoshop. Fufi even claim that Acros will outperform any other high end digital camera shooting in B&W mode. So, today I set the X-T2 to shoot in Acros Monochrome on card two, and in RAW on card one. (Shooting in RAW, of course means that should I want a colour image, I can use the RAW unprocessed files to produce it.)
Continue reading New Year – New Gear #2
I picked up this old camera yesterday from my good friend Raymond Cotter. A 1984 Nikon FG20. It was in a pile of cameras in the charity shop. I wrote it off as worthless and he let me have it for display purposes in the studio along with other old camera examples. Last evening I got it out, fixed a Sigma manual focus lens, cleaned it up, and tested its meter. It’s perfect! There’s a wee problem with the film winder, but otherwise it’s in good enough condition.
Today I’ll load it with Ilford 400ISO Black & White and take it in a test drive.
If it works – my conscience will be severely tested and I’ll be down to make a donation asap!
I’ll update this post with the results!
I’m a recent convert to Adobe Lightroom. When digital photography became a serious possibility in the professional photography world, I quickly realised that I was going to need Photoshop skills, but having learned the basics of Photoshop, I was disinclined to have to learn even more new skills. The phrase, ‘Old dogs, new tricks’ comes quickly to mind. So despite all the seminars and articles extolling the virtues of Lightroom’s Cataloging and Developing capabilities, I flatly refused to have anything to do with it. Ok. I’m a Luddite! Continue reading Sleeklens -Workflow for Portraits