All posts by Bob McEvoy

Freelance Photographer.

The Lockdown Logs #60

The Lockdown Logs

Dateline: May 31st 2020

So, anyway, after I’d had a word or two with Angus, the black bull, he invited me to come up the field to meet his missus. (One of them).  Perhaps he thought we humans need some herd immunity…  I declined, and said I would catch her with the telephoto lens instead.  I think he was disappointed, for he let out a mighty bellow.

Fujifilm X-T30 F=200mm, f/4.8 @ 1/125th sec on ISO800

Heifer

I get really bored in Lockdown.

 

 

The Lockdown Logs #59

The Lockdown Logs

Dateline: May 31st 2020

Tonight’s socially isolated single permitted exercise walk took me up the Tullygarvan Road, where I was privileged to meet young Angus here.  He was having a cool refreshing drink of water when I arrived at his home, but he happily took a few minutes out of his busy schedule to pose for the camera – with a long lens!

Fujifilm X-T30, F=70mm,  f/4 @ 1/125th sec on ISO800.Angus-Up

 

THE LOCKDOWN LOGS #58

The Lockdown Logs

Dateline: May 30th 2020

Comber Spuds

Janette brought these freshly-dug new Comber potatoes home today.  This morning they were in the ground.  Tomorrow, they will be boiled, (Over here, we don’t peel these potatoes, we just scrub them and boil them in their skins – when ready the skins will almost fall off them) salted and served with lashing of butter.  The Comber potato is a waxy, flavoursome food, and a protected brand.

I photographed them in the Studio-Pod, under two Elinchrom D-Lites, with the Fujifilm X-T2, and Nikkor 50mm MF lens, against a green chromakey background.  F=50mm, f/5.6 @ 1/125th sec on ISO400.

Comber-SpudsUP

The Lockdown Logs #56

The Lockdown Logs

Dateline: May 28th 2020

Coalport Figurine Chromakey

In the Pod today, playing with a small green screen set-up, to see how the light works best. I’ve set a small Coalport Lady Figurine on a table, with a green-screen background.  There’s a D-Lite just behind my right shoulder and natural light coming from the left of the figure.  The D-Lite is set low, not to be a key-light, but to simply reduce any shadow cast by the Coalport figure.

I’m using the Fujifilm X-T2, with a Nikon 50mm manual focus lens and the camera set for focus peaking.  F=50mm, f/5.6 @ 1/60th sec on ISO200.

Here’s the result:

Coalport-UP_

Here’s the set-up: Continue reading The Lockdown Logs #56

The Lockdown Logs #52

The Lockdown Logs

Dateline: May 22nd 2020

I’m still working out the best settings for lighting in the socially isolated Studio-Pod.  Here’s what it looks like at the minute:-

C26783C8-E4BB-40F3-890D-097076988086

I’m sitting behind the desk, looking at the pencil-mug in the light tent, through the Fujifilm ‘Cam Remote’ App on the iPhone.  Here’s what I’m seeing (Although obviously, I’ve processed the image)…

Pencil Mug UP
Fujifilm X-T2, with Nikon 50mm lens, manual focus with focus peaking.  F=50mm, f/8 @ 1/125th sec on ISO160.

 

 

 

The Lockdown Logs #51

The Lockdown Logs

Dateline: May 21st 2020

The Ding-Thing!

Second photo of the day, and I’m still setting up the lights in the Studio-Pod, so I’ve two Elinchrom D-Lites, one suspended on a ‘goose-neck’ thing, and fitted with a Softbox, the other on a stand, and fitted with a white, shoot-through umbrella.  This old bell has been around our various business premises for many years, so I shot it using the two lights. I set it into an open light tent, to control the light around it, and give a white backdrop.  Used the Fujifilm X-T2, fitted with a Nikon 50mm manual focus lens, and focus-peaking on the camera.

Bell

So, Fujifilm X-T2, F=50mm, f/8 @ 1/125th sec on ISO400.